If it is always possible to simply rent the studio and work on it with your own team, DojoMix gives you also the opportunity to work with inhouse professionals. The Dojo Team is young but experienced, efficient and creative, plus all the technicians know each other well and are used to work together. It is one of the advantages of the Dojo: here, we always find a direct interlocutor ready to supply fast and effective answers. It is this organization, as well as the advantage to work all in the same place, on the same equipment, that allows us to offer you an optimised flow of audio post-production, at a lesser cost.
When making the entire audio post-production at the Dojo, we guarantee savings, but more importantly to obtain qualitative personalised artistic work. Here is what we offer :
Production sound editing
We could compare the work of production sound editing to that of the size of a bush: we remove brambles to see the roses. For it we can be sometimes brought to cut a useless ramification, or to remove a faded petal, but it is always so that the roses bloom better.
Elise Pascal, The direct sounds in editing.
Elise Pascal, Direct sounds in editing.
A production sound editing, especially the dialog part, of quality will be a considerable saving of time, at the same time for the editing sound and for the mixing. To work production sound editing with a precise nearfield and to have, at the same time, the possibility of seeing the movie about big screen is an inestimable comfort.
Last projects where production sound editing was done by the Dojo:
The mixer is 50 % of technique to be managed, 50 % of creativity and 50 % of interpersonal skills, and even more !
Mixing is the moment to unify all the sounds of the sound edit, to homogenize the movie and to make a finished product, but it is also a moment of intense creativity, to find the effects which are going to glorify all the existing sounds to add a subliminal perception to the basic story.
Last mixing projects by the Dojo :
The upscale is a particular work which consists in working on a mix already made in stereo to make it 5.1 in the purpose, most of the time, of a creation of Digital Cinema Package.
According to the available material, it is possible to restart separate premix (Dialog, FX, Music, etc.) to make a most interesting possible version 5.1, or to use the stereo export and “to redistribute” simply the sound so as to fill the 6 channels
Last Upscale by the Dojo :
In 80 years, the whole design of the processing and the organization of the sound changed. If, in its early stages, all the practices was globalized (a microphone had to record everything on the set at the same time, in the same space, in synchrony and be delivered “raw”)), nowadays we live in a practice of the total fragmentation of the sound today, among which the division and the multiplication of layers allow all the interventions, in all the stages.
Hubert Niogret, Positif N°589
Nowadays, the possibilities in sound editing are infinite, and allow to give a supplement of soul to a project. Where the editing offer to the movie a structure and a story, the sound editing gives it life and sensations.
Last projects in Sound Edit done by the Dojo :
The technicians :
Besides being an emotional support for the movie, the music, in the cinema, is a device time / space; in other words a machine to handle the space and the time, which she allows to dilate, to contract or to congeal at will.
Michel Chion, A sound art, cinema.
To have an original music for your project? Don’t worry, you can as well have a creation especially for your project or a music approaching a piece which you like ; Antonin takes care of it. Furthermore, since he knows the studio, he can design his music directly in 5.1, and adapt it from the beginning to the dynamics of the mixing.
Last projects with original score by the Dojo :